Showing posts with label HP Lovecraft. Show all posts
Showing posts with label HP Lovecraft. Show all posts

Monday, November 9, 2020

Chaos Re-Imaginos


In the immediate aftermath of the 2020 US Presidential Election (Clown Show), the great Christopher Knowles proclaimed Choronzon, Lord of Chaos, the victor. And aptly so, as regardless of which clown prevails, chaos will ultimately reign.

This will be especially true if Biden maintains his media-proclaimed victory. Trump TV is quietly going forward, ensuring the Orange One will have his own personal platform to directly address his millions of disgruntled followers throughout the Biden (Harris) administration. This dynamic has already been playing out at the Vatican for much of this past decade with "the two Popes." 

Neither Trump nor his followers will be nearly as diplomatic as Pope Benedict, however. And of course Benedict has likely been muzzled by his involvement in the Vatican's ongoing pedophile scandal. Trump certainly has Epstein hanging over his head, but so does practically the entire Democratic Party. Everyone and everything will burn if that card is played. So, Trump will have his soapbox and he will use it. 

And he may not have to do much, as things look like they're going to burn regardless. Despite the glowing public face, the Democratic Party appears to realize 2020 was a Pyrrhic victory at best. A leaked conference call revealed that the moderate and progressive wings of the party are deeply divided even in the face of an assumed Biden victory. Days later, progressive darling Alexandria Ocasio-Cortez (AOC) unloaded on her own party and even threatened to quit politics

Be assured, this division will only increase as the election is further scrutinized. One factoid that is surely fueling the fire is the Orange One appearing to score the highest share of nonwhite voters of any Republican presidential candidate since 1960. 

Donald J. "Build the Wall" Trump. 

Just think about that for a moment, and then imagine some of the discussions awaiting the mostly white, baby boomers who comprise the centralist (Rockefeller Republican) wing of the party and the much more diverse progressive wing. Yeah, fun times indeed. 

And this assumes that Biden is still president by 2022. What happens if the torch is in fact passed to Kamala Harris in the midst of an internal party war while an unshackled Trump advocates an actual civil war to his followers? Imagine 2020 not ending, and even finding a way to ratchet the chaos up to eleven. And that's probably the most optimistic projection for how this particular scenario will play out.

Fittingly, Imaginos has re-emerged just in time for the post-election chaos. As longtime readers of this blog are well aware, Recluse is quite the Blue Oyster Cult fan. I first began subjecting all of you to this obsession in 2012, when BOC took center stage in the last two installments of my "How the Music Died" series (which can be found here and here). If this wasn't enough, I wrote an epic, five-part series during 2016 in the aftermath of longtime manager and producer Sandy Pearlman's death. It revolved around BOC's legendary "Imaginos cycle," which Pearlman had conceived of. The song cycle followed the saga of Imaginos, a unique human who later becomes a godlike being. It incorporates Aztec scrying mirrors, the Sirius tradition, demonic biker gangs, Nazism, the secret history of both World Wars, and of course, extraterrestrials, into one heady brew.

BOC never got around to doing a full-blown concept album centered around the cycle during their heyday, though the "Black and White" albums (most especially Secret Treaties) did make heavy use of those songs. It was not until 1988's Imaginos that the songs finally got their own collection. That album had begun during the early 1980s as an Albert Bouchard solo album. Bouchard was BOC's longtime drummer and one of their principal songwriters. After leaving the band in 1981, he and Pearlman teamed up to finally give the Imaginos cycle a proper album. Things did not go smoothly, however, and eventually the project reverted back to BOC, but in name only. The actual album that emerged is surprisingly strong, but mired by a badly dated 1980s sound.

Despite never quite getting the presentation that they deserve, the songs have continued to fascinate me. So much so that I dragged Chris Knowles onto The Farm earlier this year so we could talk some BOC, with a special emphasis on Imaginos. But it still wasn't enough. I knew that to achieve stratification, I needed to talk to someone directly involved with the cycle. The logical choice would have been Pearlman, but he sadly departed us in 2016. That left only one real candidate, the man who had written the bulk of the arrangements for Pearlman's songs: Bouchard. 

As its 2020, not only was Mr. Bouchard willing to indulge me for nearly an hour while I asked him many of the kooky questions I've always wanted to ask regarding Imaginos, but he also informed me that he would soon be releasing a new version of the Imaginos cycle as a solo album: Re-Imaginos

A new album's worth of Imaginos songs, and with arrangements in line with how Pearlman and Bouchard had always wanted the songs to sound? It sounded to good to be true until I heard Bouchard's new versions of "Black Telescope" and "Blue Oyster Cult." Yeah, they're not quite on par with BOC during the "Black and White" era, but are surely light years beyond the first Imaginos. Dig:



The album dropped on November 6, 2020, and it more than lives up to the promise of the first two singles. Until a time machine can be invented, enabling us to travel back to '74 and force the band to turn Secret Treaties into a full blown Imaginos concept album, this will stand as the definitive work on this subject. Highly recommended. 

It's also especially apt that it dropped days after what is easily one of the most chaotic elections in US history and which will surely usher in an era of unprecedented chaos in said history. For my money, the centerpiece of the Imaginos cycle is the classic "Astronomy."



I have long believed that this song describes a magical ritual being used to open a portal into the Abyss from which Imaginos (in his "Desdenova" form) can return to the physical realm. And as I'm sure many of you are aware, Choronzon is not just the Lord of Chaos, but also the Lord of Abyss. In some traditions, the Abyss is the realm the primordial chaos from which the ordered world emerged. 

For obvious reasons, it is both profoundly fitting and profoundly disturbing that this trope has once again re-emerged. But really, what could be more 2020 that the resurrection of Imaginos? If you're still not convinced, be sure to check out my interview with Bouchard, which can be found here. All kinds of goodies await. 

Sunday, January 12, 2020

Programming Notes



For those of you keeping track, its been a bit of a VISUP media blitz for the past few weeks. Earlier this particular week I was back on We've Read the Documents with the great John Brisson. We had a great discussion that began with the Mellon family and then branched off into several other fascinating topics. It can be found here.

Elsewhere, things are really starting to heat up on The Farm, my official podcast with Frank Zero and Jeremy Knight. We were not able to post podcasts for a few weeks there due to technical issues, but kept recording them anyway. Fortunately, we seem to be past that and have posted a slew of interviews we had in the can in addition to some more recently recorded material. Interviews currently available include:

  • Just myself and the great Christopher Knowles of The Secret Sun discussing Chris' brilliant debut novel He Will Live Up in the Sky. Podcast can be found here.
  • Frank, Knowles, Colin Reid, and myself have an epic discussion loosely related to the similarities to Appalachia and Scotland, with a special emphasis on Indian and Fairy mounds, the feyley lines, and the bizarre, mystical heritage of the Scots-Irish in both the Old Country and North America. That one can be found here.
  • Frank, the great Jasun Horsley of Auticulture, and myself discussing Manson, Holyweird, and a host of other parapolitical and metaphysical topics. Check for that one here
  • Frank, Knowles, and myself discussing the ancient aliens zeitgeist present throughout both incarnations of Doctor Who.
  • The most recent, featuring just Frank and myself discussing the synchromystical classic Hellier and all of the bizarre synchs we've both had both while viewing it and afterwards. 

Be sure to check them and please subscribe to our channel and like the episodes. While there were a few weeks delay there, we should now be having new podcasts posted practically every week.


For more information on some of the topics discussed in these podcasts, check out the following posts/series:

The House of Mellon series
Part one
Part two
Part three
Part four
Part five

The New World? (deals with Indian Mounds and the curiosities of Appalachia)

Man's Son
Part one
Part two

Man's Son or the Children of the Son

As always, I hope everyone enjoys. Apologies for the lack of new material on the blog of late, but be assured I'm hard at work. My debut book will hopefully be out in the coming weeks while I've already made a good dent on my second book. It will deal with the network that spawned Jeffrey Epstein and will be called A Special Relationship. I'm doing everything I can to have it ready for publication in time for the 2020 US presidential elections, which will probably effect that amount of material I'm able to post here in the coming months. Apologies again, but I think all of you will agree that the Epstein book was worth it when it finally drops.

Of course, there are the weekly podcasts to tide you all over in the meantime. And once my debut book drops in the coming weeks, there will be some other projects unveiled to work in conjunction with it. Please be patient and subscribe to the Youtube channel. I promise dear readers that your patience and support will be rewarded in the coming weeks and months as some of these projects come to fruition. Until then, stay tuned until next time.   


Sunday, November 17, 2019

The Farm and the State of High Weirdness



Christopher Knowles of The Secret Sun and myself were back on the Farm this past Friday with our hosts, Frank Zero and Jeremy Knight of ZeroKnight. Jeremy graciously handled the technical aspects so that the rest of us could gab for nearly an hour an a half. On the whole, I felt the results were quite excellent despite Frank and I having personal stuff that effected our prep and Knowles being a little under the weather. Regardless, this podcast turned out much better than our first effort, which wasn't to shabby in and of itself. This time around, everyone seemed more comfortable together, leading to the chat taking some epic turns.

We started out discussing Andrija Puharich and The Nine, and from there things started to take on a life of their own. The various blue-bloods who backed Puharich were considered, as well as the Pentagon behavior modification program he cut his teeth in. Knowles addressed Puharich's old stomping grounds of Maine and all of the strange stuff that was going on in the surrounding area, as well as the mysterious Rear Admiral Herbert B. Knowles (no relation to Chris). Naturally, I found time to expound on the differences between ARTICHOKE and MK-ULTRA. From there, Chris started to breakdown some of the more Nine-centric Hollywood productions, most notably the Star Trek franchise (especially The Original Series and The Animated Series) and the original The Outer Limits. Naturally, the creators of these two franchises, Gene Roddenberry and Leslie Stevens respectively, got a lot of air time as well.

Puharich
From there, Frank delved into some of the mysterious tropes that appeared in the cartoons we kids from the 1980s and 1990s grew up with. I then started to break down the murky origins of the Association of Former intelligence Officers and its sinister Las Vegas chapter. This led to a discussion of the Las Vegas shooting of 2017, To the Stars Academy, and the sinister Mellon family of Pittsburgh. Things wrapped up with Chris and I discussing Lovecraft and what he may have been up to during his numerous journeys across the US. I also found the time to elaborate on the occult significance of the atomic explosion at Trinity.

All in all, pretty epic. The chat can be found here. Please check it out and like it. We'd like to make these chats a regular thing if the interest is there. Certainly, they're a lot of fun for us and here's hoping you guys are enjoying them as well.

For more information on the topics discussed, it is recommended you listen to the first podcast as this one builds off of the earlier one.

Also of interest:

Also of interest is the classic Lucifer's Technologies series on the Secret Sun that largely inspired my fringe series.

A big thank you again to Chris, Frank, and Jeremy for making these chats possible. And with that, I shall sign off for now. Until next time dear readers, stay tuned.


Monday, November 11, 2019

Take Me to the Farm



I'm very excited about this most recent podcast. It was a kind of round table discussion with Frank Zero and Jeremy Knight of ZeroKnight and the great Christopher Knowles of The Secret Sun. Frank and Jeremy are of course collaborating with me on my forth coming book while Chris is a legend who has been an enormous influence and inspiration for my own research. Needless to say, I was uber excited for this podcast, as I'm sure my nerves at the onset (and five or so cups of coffee I had had previously) will attest too.

We managed to cover a host of topics in a chat that went just a little over an hour. They included D-Wave, Gordie Rose, Elon Musk, and how credible some of the claims surrounding these entities truly are; cybernetics and its ties to behavior modification experiments; Nick Land, the Cybernetics Culture Research Unit (CCRU), "accelerationism" and the remarkable decree of influence these things have had; Jack Kirby and the potentially arcane influences of his comics; the black oil trope in fiction; Kenneth Grant, his potential ties to Peter Tompkins, and the vast influence he has had on the likes of Peter Levenda and Colonel Michael Aquino; the specter of the mysterious Sovereign Order of Saint John (SOSJ) lurking behind Tompkins and Levenda; SOSJ "interrogation specialists" Cleve Backster; other curious SOSJ knights such as Philip J. Corso, Carl Maria Stanley and fellow travelers such as arch child rapist David Ferrie; fiction depictions of ARTICHOKE and MK-ULTRA.; contemporary paganism; Colonia DignidadEpsteinLe Cercle; and so much more.

The podcast can be found here. A YouTube version with a slideshow can also be found here.

More information on the topics discussed, check some of the following:

The JFK Assassination: A Strange and Terrible Journey series
Bavaria, the Thule Society, the SOSJ, and the Making of a Revolutionary Faith series
The Office of Security: A Tale of Sex, Drugs, and High Weirdness
The Office of Security Meet the Nine Parts One and Two
Fringe: The Strange and Terrible History of the Far Right and High Weirdness series
The Lovecraftian Enlightenment
The Dark Enlightenment and More Mellon Madness

Well, that should be enough to keep those of you just joining the party preoccupied for the time being. Again, I would like to give a big thank you to Frank, Jeremy, and Chris for making this happen. It was great fun and hopefully we'll be able get together for another round table discussion in the near future. I hope everyone enjoys this one as much as I enjoyed recording it. Until next time dear readers, stay tuned.


Friday, November 1, 2019

Recluse on Forbidden Knowledge



Chris at Forbidden Knowledge News was kind enough to have me on a few days ago. We tackled a host of topics. At the forefront was Epstein and his links to various black projects as well as the sinister implications underlining his dabblings in genetic modifications. We also had a wide ranging discussion on ARTICHOKE and MK-ULTRA, including the history of both programs, common misconceptions, the successor programs, the extreme high weirdness associated with both and, most importantly, there actual purpose. Hint: It went well beyond mere mind control. We also found time to discuss how the methods of ARTICHOKE and MK-ULTRA may have been applied psychological warfare on a mass scale.

Also discussed are the modern history of honey trapping in the US and its origins with the British security services that gave birth to the Office of Strategic Services. Incidentally, this also ties into the origins of occult pursuits within the Anglo-American intelligence services as well. Finally, there's a little reflection on the recent UFO "disclosures"; Twin Peaks: The Return; the upcoming elections; the different factions within the American deep state; whether they will plunge these United States into a civil war and what would come afterwards; if there's an opportunity to change things; my upcoming book with Frank Zero and Jeremy Knight of ZeroKnight and other projects we have in store, which will be rolling out soon; the Epstein book I'm working on as well as another work I've been researching for a number of years now.

The podcast can be found here.

For more information, check the following:

Epstein is addressed in the following blogs:
Maxwell's Silver Hammer
Epstein's Little Black Book
Epstein Dies: Long Live the New Mexico Connection

A potential end game for the research Epstein was funding:
The Lovecraftian Enlightenment

UFOs and psychedelics:
Contact

The Office of Security, high weirdness, and Project ARTICHOKE:
The Office of Security: A Tale of Sex, Drugs, and High Weirdness series
The Office of Security Meet the Nine Part I
The Office of Security Meet the Nine Part II

As always dear readers, I hope that everyone enjoys. Stay tuned until next time.



Friday, October 18, 2019

The Lovecraftian Enlightenment?



"... these things we’re summoning into the world right now…are more like the Lovecraftian The Great Old Ones, they’re entities that are not necessarily going to be aligned with what we want..."

Its no secret that H.P. Lovecraft is more popular than ever as the second decade of the twenty-first century fast comes to a close. During his lifetime (1890-1937), Lovecraft's famed "weird tales" were confined to pulp magazines, ensuring a limited audience for his works. In this day and age, eighty plus years after HPL shed his mortal coil, probably even fewer people have actually read his at-times copious prose. But those who did over the years took it to heart, and expanded upon his mythos and made it more commercially viable. As such, the mythos he allegedly created wholesale (which is highly debatable) have had a vast influence on popular culture. Indeed, it would be almost impossible to imagine the modern horror genre without Lovecraft.

The mainstreaming of Lovecraft really began in earnest during the first decade of this particular century and it coincided with the general rise of nerd culture. Nerds in turn have largely become the engine of popular culture over the past two decades thanks to the broader rise of Silicon Valley and the tech industry in general. Techies and nerds the are often one in the same and the innovations of the former made it increasingly possible to craft the aspirations of the latter via CGIs, increasingly elaborate video game platforms and so forth. And of course, there was the whole rise of the Internet, which made it easier for nerds to forge communities and spread their obsessions.


One was of course H.P. Lovecraft, whose mythos represent one of the darker corners of geekdom. But Lovecraft was only one such corner. On the whole, there are even more sinister undercurrents to geekdom.  

Of late, I've become fascinated (and more than a little disturbed) by a particularly bizarre branch of the "alt-right" sometimes referred to as the Dark Enlightenment, or simply NRx (neo-reactionary). Incidentally (or not), this curious ideology together brings Silicon Valley, the dark side of geekdom and of course Lovecraft in what might be one of the most dystopian of imagined futures.

The Dark Enlightenment and/or NRx can mean different things to different people, but certain characteristics seem to be reoccurring amongst the various ideologues: contempt for democracy, an obsession with technology and capitalism in equal measures, libertarian ethos taken to their logical extreme, a thinly veiled approval for eugenics, and a sense that the darkest of imagined cyberpunk futures is something to aspire towards. It is generally agreed that the two principal visionaries behind this particular ideology are Curtis Yarvin (aka Mencius Moldbug) and Nick Land.


Mr. Moldburg and the Eye of Thiel

Geekdom and Lovecraft in particular weigh heavily on both men, while Yarvin is very much a creation of Silicon Valley. Before becoming a neo-reactionary blogger, Yarvin was a computer scientist with degrees from John HopkinsBrown, and UC Berkeley. Naturally, he was based out of San Francisco. Despite the ultra-liberal image of the tech heartlands, there are indications that the Valley has a small but influential alt right underground.

Yarvin routinely incorporates elements of geekdom into his writings. Lovecraft made an appearance early, in the first part of Yarvin's A gentle introduction to Unqualified Reservations. There, Yarvin riffs on the introduction Darren Staloff’s The Making of an American Thinking Class by quoting the professor's prose while replacing several phrases with references to Miskatonic UniversityCryptomenysis PatefactaUnaussprechlichen Kulten, and the "mad Arab Abdul Alhazred."

Inevitably, Cthulhu would turn up in Yarvin's writings. A gentle introduction... names drops him no less than ten times. Amusingly, Yarvin likens the high priest of the Great Old Ones to his concept of "The Cathedral." The Cathedral in turn can be defined loosely as a consensus of progressive opinion outlined by the universities, the media, and the civil service. It is given a religious description because it has become a kind of theology. In 2019, a planet destroying alien high priest is as apt a description for the mainstream consensus as one is apt to find.

Yarvin clearly knows his geekdom, which has led some to question the seriousness of his ideology. To be sure, there is an air of a LARP lark about Mr. Moldburg.

Yarvin
Which is why it is important to remember that Yarvin has received support from none other than Peter Thiel, who is a major investor in Yarvin's startup, Urbit. Nor is Yarvin the only neo-reactionary ideologue that Thiel has sponsored. He is also a major backer of the Seasteading Institute, founded by would-be neo-reactionary Patri Friedman (who is also the grandson of Noble Prize winning economist Milton). Elsewhere, Thiel was also a backer of the Machine Intelligence Research Institute, which neo-reactionary blogger Michael Anissimov had previously worked at as a media director.


Patri Friedman (top) and Michael Anissimov (bottom)
But beyond sponsoring the Dark Enlightenment, Thiel himself is also a major ideological influence. Both Yarvin and Nick Land have cited a 2009 essay by Thiel for Cato Unbound in which the billionaire famously declared "I no longer believe that freedom and democracy are compatible" as a major inspiration. The influence may swing both ways as well, for it has been argued that a 2012 lecture at Stanford by Thiel displayed traces of Yarvin's themes.

Is Thiel's sponsorship for neo-reactionary ideologues and influence on the movement evidence that it is a kind of vehicle for his own personal beliefs? Certainly, this is not beyond the realm of extreme possibility, and that is a terrifying prospect. As I noted recently, Thiel is at the absolute vanguard of the far right, along with the Mercer and DeVos-Prince families. What's more, Thiel and the after-mentioned families appear to be major players in a vast private intelligence network behind both Trump and Brexit.

In the above-linked blog, I detailed the ties between the Mercer family and the SCL Group/Cambridge Analytica, which could be likened to a private, digitalized Psychological Warfare ExecutiveGrowing evidence has emerged that Thiel's Palantir Technologies collaborated with this network.

Naturally, Palantir takes its name from from a communications devise depicted in the Lord of the Rings trilogy. Given that these devices were later taken over by Sauron, the name is rather apt. Palantir is a big data analytics outfit that is known to work closely with the Department of Defense and US intelligence community. Of late it has gained much controversy over its collaboration with ICE, but its mining of data as a means of surveillance has been ongoing for years now.


Nor is Palantir the only defense-related company Thiel has ties too. Another curious entity is Carbyne, an Israeli company which officially provides high tech solutions to emergency centers fielding 911 calls and such like. In carrying out these duties Carbyne is given access to a caller's GPS, camera and other private information, which critics have alleged creates a high potential for abuse. These claims are further substantiated by the presence of numerous former Israeli intelligence officers among the shareholders and employees. Company director Pinchas Berkus, for instance, is the former head of the elite 8200 Unit.


The Israelis aren't the only ones with intelligence ties linked to Carbyne either. Present on the company's advisory board is Michael Chertoff, a former director of the Department of Homeland Security and co-author of the Patriot Act. After leaving government with the Bush II regime, Chertoff went into the private defense industry, starting his own "risk management" group with a former CIA officer and became the chairman of the mega British defense contractor BAE Systems.

Else, a co-founder and shareholder of Carbyne is another former Israeli intelligence officer, Lital Leshem. Leshem is also an executive director at Frontier Resources Group, a subsidiary of Frontier Services Group. FSG was of course founded by Erik Prince, whose FSG concern also appears in the SCL/Cambridge Analytica network.

And then there's former Israeli prime minister and highly decorated general Ehud Barak. Barak was also a major investor in the company, bu with a curious source for his funding: Jeffrey Epstein. In 2015, Barak formed a startup company called Sum for the sole purpose of investing in what became Carbyne. Reportedly, much of the capital for Sum was provided to Barak by Epstein.

Ehud Barak
This certainly puts Thiel in some curious company. Thiel is not only an investor in Carbyne, but also has a Palantir co-founder, Trae Stephens, on the company's advisory board.

Clearly, Thiel is well represented in the private intelligence racket. But under Trump, he has begun to make inroads with the official US intel community as well. Reportedly, Thiel himself was offered a leadership role on the influential President's Intelligence Advisory Board, but turned it down. He did, however, land former employee and reputed acolyte Kevin Harrington on the National Security Council. Harrington occupied a senior post from the get go and was reportedly bumped up further in recent days.

Kevin Harrington
Thiel has clearly emerged as a major player, with extensive ties to both the US intelligence community and the president himself. Indeed, he was likely at the forefront of the private initiatives to get Trump into the White House. And of course, there is the curious fact that he was a major investor in the Israeli firm Carbyne, along with Jeffrey Epstein. This is more tangible evidence that Epstein's network was part of the broader effort to put Trump into power. Thiel appears to have been at the center of these efforts.

And this is the man who is a crucial backer of the founder of the Dark Enlightenment and other major proponents. Of course, Thiel himself was clearly a major ideological influence as well, which at a minimum contributed to his support for the ideology. Even more sinister is the prospect that Thiel himself was the engine behind the Dark Enlightenment, with Yarvin and others simply being used to put things out there that Thiel himself did not wish to be directly associated with. It would certainly be interesting to know how far back Yarvin's relationship with Thiel goes.


A Land Darkly

My concern with this piece, however, is with Lovecraft's influence on the Dark Enlightenment, and that is nowhere more evident that with the movement's other founder, former Warwick University professor Nick Land. While Yarvin may have been the originator of NRx, it was Land who elevated it to the level of a true philosophy. This is hardly surprising, given Land's background as a philosophy professor.

During his time at Warwick, Land became involved with a student-run research group dubbed the "Cybernetic Culture Research Unit" (Ccru). This peculiar group was established in October of 1995, when self-described "cyberfeministSadie Plant joined the faculty at Warwick. Land co-founded the Ccru with Plant and several others. Its relationship with Warwick was always rather ambiguous, however. It was active on the campus between 1995 and 1997, but was officially shuttered after Plant resigned her post in '97. At the time, some school officials claimed the Ccru never even existed.

Sadie Plant
It continued on, in some form or another, for at least six additional years. Land had resigned from Warwick himself by '98, and would continue the group in a room above the Leamington Spa Body Shop for a few more years. Drugs had always been a major influence on the group, but by this point in time they had become epidemic. As such, the post-Warwick Ccru has been described as "quasi-cultish, quasi-religious."

This is hardly surprising, given its pursuits. The Ccru's purpose was to study a host of arcane topics --French philosophy (especially of the Deleuzian school), jungle music, science fiction (unsurprisingly, cyberpunk was a huge influence, especially Gibson's Neuromancer), cryptography, the occult (the group was especially fond of the kabbalah and Crowley, who was born in the same city that Warwick University is located in), rave culturecybernetics, and, of course, Lovecraft. From this heady brew emerged a cyber-age version of "Accelerationism."

an emblem designed by the Ccru
First conceived of by French philosophers in the wake of May of '68, the Ccru laid the foundation for the popularization of this particular philosophy in the English speaking world during the twenty-first century. The Ccru's version of accelerationism essentially called for the rapid speeding up of capitalism and technology in equal measures. In theory, this would lead humanity towards some type of techno-utopia resembling notions of the Singularity. By unleashing capital, silly relics of the past such as national borders could be dissolved. This would, in theory, release human potential and speed up technological advances. Ominously, some proponents believed that this would eventually liberate human potential from the human form all together.

Land certainly subscribed to these beliefs. As I noted before here, Land had happened upon the notion during his Ccru days that capitalism was the creation of an artificial intelligence from the future, which in turn had used the market to gradually assemble itself over the centuries. This would end with the glorious usurpation of humanity by this new intelligence. And Land apparently believed that we should be doing everything within out collective power to speed up this copious process. Whether this is still the case is unknown to this researcher, but he is still insisting on the similarities between capitalism and AI.

This was not the only strangest notion Land happened upon during this era either. At the height of the Ccru days, Land began heavily abusing "the sacred substance amphetamine" and subsisting on little to no sleep. During his final days at Warwick, he became known for amphetamine-addled lectures, which at times Land delivered while laying on the floor and accompanied by a jungle soundtrack. Eventually, he came to believe that he was being inhabited by various entities, which he dubbed "Cur," "Vauung," and "Can Sah."

Predictably, Land had a breakdown by the early part of millennium. He disappeared from public life all together for a time, and relocated to Shanghai. Nor was he the only Ccru that danced to close to the flame. Many members would struggle with depression for years afterwards. One of the most prominent members, Mark Fisher, eventually committed suicide in 2017, reportedly over concerns that Britain had entered into "stasis."

Mark Fisher
Throughout all of this, Lovecraft weighed heavily on Land and has continued to do so. Together with the Ccru troop, Land developed the notion of "hyperstition." Combining superstition with hyper, this concept is difficult to define. It has been described as that which is "equipoised between fiction and technology." In a sense, this is simply describing science fiction in its earliest incarnations. At least one former Ccru affiliate described Land's hyperstition as "quasi-Lovecraftian mythologies." Reportedly, Land came to believe that the Necronomicon itself was being sent back in time from the future, piece by piece, beginning with its appearances in Lovecraft's fiction.

Another concept that Land and his Ccru cohorts became obsessed with was the notion of "theory-fiction." In essence, it help that the writing of theory could fictionalize and produce reality. Such a notion would have had quite an appeal in the '90s, when imagined cyberpunk futures were beginning to become the reality. Now, we're effectively living in a cyberpunk novel. William Gibson, in essence, took scientific theory concerning future technologies, fictionalized it, and provided a template for our present reality.

The same could be said of Lovecraft, who was clearly more knowledgeable concerning the occult than scholars would have you believe. His fictionalized mythos, in turn, arguably did as much to mainstream the occult in popular culture as anyone, with the possible exception of Crowley. And Crowley himself frequently resorted to fiction to expand upon his theories.

Crowley
Naturally, Land himself has written horror fiction as well, and it is firmly in the Lovecraftian camp. He seems to have first taken up this interest during the late '90s, when he wrote The Origins of the Cthulhu Club. This work was allegedly the first time he rolled out the hyperstititon concept. His Lovecraft obsession has continued in recent works such as 2014's short story Phyl-Undhu and 2015 novella Chasm. Indeed, it would seem that when Land isn't championing the Dark Enlightenment, he is crafting neo-Lovecraftian weird fiction.


Conclusions

Let us then return to the quote that opens this piece, which concerns emerging AI as being something akin to the Great Old Ones of Lovecraft's fiction. This is a notion that Nick Land has been prophesying about since roughly the mid-1990s. But is this something that we should really be concerned about? After all, Land is still largely a fringe figure. 

Peter Thiel, however, is not. And while Thiel has never been directly linked to Land, he has certainly supported other such fellow travelers, as was noted above. And this raises some truly disturbing prospects. 

The scientific community is often seen as progressive and forward looking. This is especially true of the tech sector. And yet William Shockley, the alleged inventor of the transistor (which essentially laid the foundation for the modern computer revolution), dedicated much of his later life to the rehabilitation of eugenics (noted before here). Thiel himself made his fortune investing in tech companies such as PayPal and Facebook. He is now one of the principal patrons of the alt-right, along with hedge fund manager Robert Mercer. Before delving into finance, Mercer was a computer scientist who worked for IBM for decades. As I noted before here, he contributed to the development of AI in this capacity.

Robert Mercer
These men are a far cry from the Christian fundamentalists who are often associated with the far right, and arguably far more unsettling. After all, men like Thiel and Mercer have the resources and potentially the inclination to bring about the post-human future envisioned by men like Land. This is precisely why I find many of the scientific-related revelations concerning Epstein so unsettling. 

In many ways, Jeffrey Epstein was already practicing what many of the NRx ideologues had been advocating. One such instance is the whole "seasteading" movement which Thiel has become a principal patron of. As I noted before here, one of its leading proponents was the above-mentioned Patri Friedman. Seasteading proposes building floating, sovereign city city-states in the ocean. These entities would be beyond the reach of the United States government, or any other for that matter. A return to the model of the city-state, a small entity more easily manageable than a chaotic nation-state, has long appealed to neo-reactionaries.

Of course, Jeffrey Epstein had been using his own private island, Little Saint James, as a lawless playground for millionaires and billionaires alike for years. While he surely wasn't the originator of such a notion, the possibility is strong that Epstein's efforts inspired the seasteading community in some capacity. Patri Friedman was involved in a transhumanist foundation supported by Epstein, after all.

Jeffrey Epstein
There are even far more ominous overlaps, most notably via the scientific community. Of course, many neo-reactionaries are obsessed with AI and related notions such as transhumanism/human augmentation, and the Singularity. This is hardly surprising, given the background that many of the proponents have in tech and Silicon Valley in particular.

Epstein clearly had a keen interest in these things as well. He was a major backer of pioneering AI researcher Marvin Minsky, who was also a crucial scientific adviser to Epstein. It was Minsky who put Epstein into contact with another young and upcoming AI researcher, Joscha Bach. Bach had been involved in the transhumanist outfit, humanity +, that also featured budding neo-reactionary Patri Friedman and funding from Epstein himself. Epstein also funded Ben Goertzel, the former chairman of Humanity +, the founder and CEO of SingularityNET, and a prominent AI researcher. Epstein also funded Goertzel's open source AI project OpenCog as well. Goertzel had also been the research director at the Machine Intelligence Research Institute, which received funding from Thiel and produced neo-reactionary blogger Michael Anissimov, a former media director there.

Ben Goertzel
Of course, Epstein was also an investor in the above-mentioned Carbyne, along with Thiel. As such, this whole network seems rather incestuous. What's more, the NRx crowd would surely approve of the motives behind Epstein's philanthropy. He had alleged that mainstream foundations were failing science because they had become too "politically correct." Epstein was quick to point out that he supported diversity, but of ideas, and not people.

Besides AI and some of the fringe ideologies surrounding it, Epstein had another clear scientific passion: genetics. I've already dealt with this topic a bit before here, but even more information has come out since that post. In point of fact, Epstein spent much of this decade investing in genetic research. Specifically, Epstein sought to analyse and sequence human DNA. In time, this would be used to build a database. In theory, this database would have been sold to drug companies for a tidy profit, but given the man's apparent interest in eugenics, one has to wonder.

And that brings me to one of Land's darkest visions. In the final section of his landmark Dark Enlightenment essay, Land singles out University of California biologist John H. Campbell, whom he hails as a "prophet of monstrosity." This is as apt a description as any for a man who may have given away the endgame of the elite Epstein represented. His notions have been described as thus:
"Reasoning that the majority of humankind will not voluntarily accept qualitative population-management policies, Campbell points out that any attempt to raise the IQ of the whole human race would be tediously slow. He further points out that the general thrust of early eugenics was not so much species improvement as the prevention of decline. Campbell’s eugenics, therefore, advocates the abandonment of Homo sapiens as a 'relic' or 'living fossil' and the application of genetic technologies to intrude upon the genome, probably writing novel genes from scratch using a DNA synthesizer. Such eugenics would be practiced by elite groups, whose achievements would so quickly and radically outdistance the usual tempo of evolution that within ten generation the new groups will have advanced beyond our current form to the same degree that we transcend apes."
Was Epstein's venture into human DNA studies such a foray? Were the proceeds of his child sex trafficking being used to bring about a godlike elite that would fundamentally cease being human? The great Christopher Knowles has been warning against such developments on The Secret Sun for years. The Epstein revelations should make it clear that Mr. Knowles' warnings are no longer mere speculation, but are presently ongoing amongst the darkest corners of the deep private. Much of it is happening openly among prestigious scientific institutes, but I suspect a man like Epstein would be needed to further the more sinister aspects.

Land himself is coy about how he perceives these developments, but he clearly seems to believe that what is emerging will resemble something out of Lovecraft. He remarks: "For racial nationalists, concerned that their grandchildren should look like them, Campbell is the abyss. Miscegenation doesn’t get close to the issue. Think face tentacles."

Nick Land
Land has speculated about both an AI and the Necronomicon from the future meddling in our current world. But this researcher can't help but think of a more chilling scenario: What if it is the Great Old Ones themselves who are melding in the present from the future. And what if accelerationism and the Dark Enlightenment are one such bid to harness capitalism and technology towards one obvious end: their own creation and a distinctly post-human future. Are Lovecraft's demonic space gods then our own future when a tendril-faced elite final sever all ties to humanity and Earth as a whole? Certainly, I suspect such a notion has passed through Land's mind. And he may well be okay with such an outcome.

But the real question is, are men like Epstein and Thiel concerned with such an endgame? Based on circumstantial evidence, such a possibility can not be dismissed. And that is something that is truly horrifying to contemplate. This is why, as I've suggested before, that Epstein's child sex trafficking is not the darkest abyss. Rather, it is what the funds from this endeavor were being used to sponsor. And that may well be the birth of the Great Old Ones.

        

Saturday, October 15, 2016

The Soft Doctrines of Memphis Sam Part IV



"Call me Desdenova, eternal light"
--"Astronomy," Blue Oyster Cult



Welcome to the fourth installment in my examination of the Imaginos song cycle of recently deceased producer/manager/lyricist Sandy "Memphis Sam" Pearlman. Pearlman is of course most well known for his work with pioneering American heavy metal outfit Blue Oyster Cult, but his contributions to rock 'n' roll went far beyond this. As was noted in the first installment, he also played a key role in the careers of The Dictators, The Clash, Dio-era Black Sabbath and nearly signed the pioneering doom band Pentagram.

Beginning with the second installment I began to break down the "deep background" of the Imaginos story line. Based upon a series of poems Pearlman wrote in the mid-1960s entitled The Soft Doctrines of Imaginos, BOC songs since they debut would incorporate characters and concept from these poems and at times would be based upon them wholesale. As such, Soft Doctrines became something akin to Lovecraft's Necronomicon or Robert ChambersThe King in Yellow in BOC's lexicon, providing the backdrop to countless songs.


Fans of course had been aware of these implied connections for years, but it was not until the release of the Imaginos album in 1988 that part of the story line was revealed to the general public. And even then the sources that inspired Imaginos --alchemy, Vodun, Ufology, conspiracy theories, and so on --would remain obscure to the general public until the 1990s, when the rise of the Internet enabled fans to seriously research Pearlman's magnum opus.

As I was wrapping up with the second installment, I began to consider BOC's self-titled debut, the first album in the so-called "Black and White trilogy" (which also included their second and third albums, Tyranny and Mutation and Secret Treaties). The Black and White trilogy was recorded when Pearlman's influence over the band was greatest and when the Imaginos cycle was explored at the most regular intervals until the release of Imaginos in 1988. Across the debut's A side I considered Pearlman's penchant for sinister secret societies lurking at the fringes of the counterculture.

With the third and most recent installment I addressed the debut's B side and the entire Tyranny and Mutation album. Therein Pearlman's concepts of "transcendental models" as well as the possible influence of "esoteric vodoun" guru Michael Bertiaux on his work were considered, as well as Pearlman's ties to the legendary (or infamous, considering one's point of view) Warlock Shoppe and the heavily occulted substance of the Pearlman-written tracks on Mutations.



1974

BOC's landmark Secret Treaties album, the closet the band ever came to perfection and the most Soft Doctrines-centric album the group would release until Imaginos, was fittingly released in 1974. I say fittingly as 1974 was quite a banner year for high weirdness and political intrigues. Here's a brief rundown of such highlights from that year:
  • On January 29 the Chronicle received the last known letter from the Zodiac killer (and the first the newspaper had received in three years) in which he described The Exorcist as "the best saterical comidy that I have ever seen."
  • Heiress Patty Hearst was kidnapped in February of that year by the Symbionese Liberation Army (SLA). In the ensuing months she would actively aid the SLA and appear in a series of startling recordings on their behalf while demonstrating signs of brainwashing.
  • April 5 witnesses the publication of horror superstar Stephen King's first novel, Carrie
  • May Day 1974 witnessed simutaneous pre-dawn raids in San Francisco that allegedly rounded up the perpetrators of the "Zebra killings," a series of racially motivated killings in the Bay area that began in 1973 and ended in 1974, leaving 15 people dead. Much more information on the Zebra killers can be found on this early (and somewhat flawed) series
  • On May 17, 1974, the SLA would engaged in massive shootout with the LAPD and other California law enforcement agencies in what would be the first major use of a SWAT team (and thus the onset of the militarization of America's police forces). The SLA's leader, Donald DeFreeze, was killed during the shootout along with five other SLA members; DeFreeze had previously been a patient at the California Medical Facility at Vacaville, an institution compellingly linked to CIA behavioral modification experiments
  • Occultist and philosopher Julius Evola, who inspired so much of Italy's neo-fascist Renaissance, dies on June 11
  • On June 28 Vannevar Bush, the legendary American scientist who administered the Office of Scientific Research and Development (which oversaw the Manhattan Project, among other things) during World War II, shed his mortal coil. Bush has long been linked to the UFO question with many Ufologist linking him to the highly dubious Majestic 12. As noted before here, there is compelling evidence linking Bush to real UFO study groups and other black projects
  • Argentinean strongman Juan Peron, who had enabled so many "former" Nazis to flee via the "rat lines" using his nation, died on July 1
  • On July 15, news anchor Christine Chubbuck commits suicide during a live broadcast on WXLT in Sarasota, Florida. Reportedly, this was the first on air suicide. In some accounts, Chubbuck's death is held to have inspired Paddy Chayefsky's syncro-mystical masterpiece Network (addressed before here and here) while in others it is claimed Chaeyefsky had already started work on the script and Chubbuck's death was an eerie "coincidence."
  • Italy was rocked on August 4 by the Italicus Express train bombing that left 12 dead and over a hundred dead. This attack was carried out by neo-fascist groups long linked to Operation Gladio. More on information on these groups and Gladio can be found here
  • US President Richard Nixon resigns on August 8 as part of the Watergate scandal, the deep intrigues of which I chronicled before here, here and here
  • On November Ronald DeFeo Jr murders his entire family with a shotgun in Amityville (a village in the town of Babylon, New York "coincidentially") on Long Island, still home base for Blue Oyster Cult during this time. DeFeo's killing spree would inspire the Amityville Horror series, as well as what were almost surely fraudulent claims of hauntings at the murder scene by infamous paranormal investigators Ed and Lorraine Warren
  • the Arecibo message is beamed out from a radio telescope in Puerto Rico on November 16. This message was intended to give extraterrestrial civilizations information about Earth
  • Andrija Puharich's Uri is published at some point in 1974. While nominally a biographer of Israeli stage magician Uri Geller, this work presented the first public revelation of The Nine, alleged extraterrestrial intelligences that appear to have long fascinated the deep state. Much more information on this bizarre topic can be found here and here
  • Jonestown established at some point in 1974
  • the fantasy tabletop game Dungeons and Dragons, long linked to controversy, is first released in the United States at some point during this year
early D & D books
So yes, there was a lot of strangeness and intrigues abound --presidencies were toppling, cults and revolutionary outfits were growing increasingly violent, Nazism's robust resurgence was more evident and psi and UFOs were seemingly on everyone's mind. And into this fray emerged BOC's Secret Treaties. If there was a more perfect soundtrack to this turbulent era, I know not what it would have been. 



Secret Treaties: Artwork

While the artwork for Treaties was not as immediately striking as the classic Bill Gawlik covers that graced BOC's first two albums, it was no less esoteric. Here's a rundown of many of the key images depicted by the album's artwork:
"The record's Ron Lesser cover art depicted the band posing in front of an ME 262, a World War II fighter yet, pilot's seat filled with the figure of Death. Eric [Bloom, BOC frontman and guitarist --Recluse] dramatically caped, holding the reigns of four German shepherds, which, on the back sleeve are shown mysteriously (ritualistically?) slaughtered. The band is gone and the plane seems to be in motion, although this not clear. Another quirk of the cover art is the shadowy background scene, which appears to depict Mexican farmers, or perhaps images from another time, something like time warpage circa Imaginos
"The inner sleeve contained two slight variations of the outer front and back. The band shot is distinguished by a clearer background of an older city scene, something akin to Washington, D.C. The 'slaughtered dogs' shot depicts the jet parked on what looks like a desolate and dusty, urban Mexican street. Albert [Bouchard, BOC drummer --Recluse], on the credit for the concept says, 'Secret Treaties was created by the Columbia Records art department, because they really wanted to get involved. We wanted to keep control of the artwork, but after the first two records, which they thought were really great, they wanted a shot at it. So we let them do it and we didn't like it. The original cover was what was on the inner sleeve. They thought it was too graphic and so did we, so we ended up with this other thing that they did. They did two versions, the inside and the outside. How it ended up was that Sandy's idea was the front cover and Murray [Krugman, BOC's other early manager/producer --Recluse]'s idea was the back cover, with the dogs being slaughtered. But all in all, Secret Treaties was mostly Sandy's idea.' Another complication is the European release of the record sported red lettering; while stateside the text was green.
"The inner sleeve adds this cryptic note. 'Rossignol's curious, albeit simply titled book, the Origins of a World War, spoke in terms of secret treaties, drawn up between the Ambassadors from Plutonia and Desdinova the foreign minister. These treaties founded a secret science from the stars. Astronomy. The career of evil.' As is well-documented, the book does not exist. But the notation ties nicely the band's (most notably Pearlman's) recurring theme of conspirators (be they Rosicrucians, Illuminati, Masons, Gnostics, Hermetics, or secret divisions of the CIA, FBI and Yale!) causing wars and other human upheaval (i.e. Altamont), in addition to the link with beings from other planets and possibly other times."
(Agents of Fortune, Martin Popoff, pgs. 42-43) 
There's a lot to take in here. Let's start with the final paragraph concerning The Origins of a World War. Citing a quote from a fictitious book is very much in keeping with Pearlman's love of Lovecraft and Robert Chambers. Desdinova is another name of the Imaginos character, given to him after his initiation into the Blue Oyster Cult. Imaginos would make his first appearance in a BOC song on Secret Treaties. But more on that in a moment.

Plutonia is likely a reference to the extraterrestrial race the Imaginos has dealings with. It was also the name of an early science fiction novel by the Russian Vladimir Obruchev. The novel takes place in an underground world known as Pluto (after the Roman god of the underworld) that has its own sun and is inhabited by dinosaurs and other ancient creature. Nowadays this work would be considered in vein of the Hollow Earth mythos. It is unknown if Pearlman knew of this book.

While the faux quote from Origins of a World War hints that the secret treaties alluded too in the title are with extraterrestrial intelligences, another possibility is also presented by the artwork: the Nazis. On the front cover the band is depicted around a ME 262 while a Nazi-revering song of the same name is included on the album. Even more curious, however, are the apparent references to the Process Church of the Final Judgment in the artwork.


The Process Church was a highly controversial group with origins in Scientology. It was founded in the mid-1960s in England and had opened up outposts throughout the United States by the late 1960s. The Process would seek out alliances with both celebrates as well as more unsavory elements such as biker gangs. By the early 1970s the group had been linked to the Manson Family and disintegrated not long afterwards with its original leader being kicked to the curb and much of the rest of the sect carrying on as Christian fundamentalists. The group would continue to be a lightening rod for controversy, however, with offshoots being linked to the Son of Sam killings and the Cotton Club murder. Just how credible all these claims are is highly debatable, but the Process seems to turn up to often in close proximity to one outrage or another with too much frequency to dismiss it all as coincidence. Much more information on the Process can be found here.

the Processians in one variation of their capes --unfortunately no color images of them appear to be available online
As for the references to the Process on the Secret Treaties cover, it comes in the form of frontman Eric Bloom's getup and the German shepherds. Process members were well known for their black capes with crimson insides and German shepherds. They were frequently seen out and about major cities across the US during the late 1960s and early 1970s with both. Curiously, reports of dead German shepherds killed in a ritualistic fashion have also had a tendency to follow the Process around.
"For some reason, there have been reports of sacrifices of large numbers of dogs, mostly German shepherds, throughout the United States in the past thirty-odd years, but notably in areas where we discover confirmed cult activity. This was true in Berkowitz' Yonkers neighborhood as it was in Walden, New York, where a 'total of eighty-five skinned German shepherds and Dobermans were found' in a single year 'between October 1976 and October 1977.' The day of Berkowitz' arrest in Yonkers, the bodies of three slain German shepherds were found in an aqueduct behind his apartment. Two had been strangled with chains; the third had been shot in the head.
"Two days before his arrest, someone phoned an animal shelter using his name and address, inquiring about adopting a German shepherd that had been advertised in a local paper. A few hours later someone else called from the same street in Yonkers, also inquiring about the dog. The caller said he was 'fixing some cars' on Pine Street; an allusion that Terry believes actually refers to the Carr family who figure some prominently in his case. As it turned out, two men did visit the shelter, including one who resembled Berkowitz, but according to Berkowitz himself it was not he, although he acknowledges that someone may have been impersonating him on the phone.
"Why? This was before his arrest and identification in the press as the Son of Sam...
"around the time of the Sam killings, the author heard convincing rumors of the abuse and slaughter of dogs in a warehouse near Brooklyn Heights, within walking distance of the Warlock Shoppe, before Berkowitz was arrested and the connection with dogs was made.
"Terry connects the German shepherd sacrifices with the Process, due to their fondness for the animals. Members of the Process in those halcyon days of the 1960s were to be seen around San Francisco dressed in black and leading German shepherds on the leash. The 'Fear' issue of the process magazine featured a photo spread of twenty German shepherds in a menacing pose. It doesn't automatically follow, however, that the Process would sacrifice the animals.
"Another symbolic association that should be mentioned is the fact that Hitler favored German shepherds above all other animals. That there might be a Nazi or neo-Nazi element ot the Son of Sam cult should not be ignored, especially as mass murderer Fred Cowan --one of the 'Sons' according to Berkowitz --was a neo-Nazi. Further, the Process symbol was a stylized swastika: what some members referred to as 'four P's'; these 'four P's' later contributed to the name of a Process splinter group called 'Four P' after the same symbol. It was this group that remained behind in California after most of the regular Process decamped and went to New York City following the assassination of Robert F. Kennedy. Four P --and its reputed leader, the Grand Chingon --has been implicated in a number of vile acts, including animal and human sacrifice in northern and southern California. Convicted serial killer and cannibal Stanley Baker claimed to belong to this cult, and Manson Family members were known to refer to Charles Manson as the Grand Chingon. even though the organization was supposedly so secret that its very existence was unknown to all but a few."
(Sinister Forces Book III, Peter Levenda, pgs. 197-198)

the color versions of the Secret Treaties artwork show Bloom with the cape and dogs in more detail (top) as well as the dead German shepherds (bottom)
Again, all of this should be taken with a grain of salt, but there are certainly interesting parallels to Pearlman's work and the allegations surrounding the Process. As was noted in the second installment, BOC's debut featured two signature tunes describing biker gangs subverting the counterculture that are being directed by a secret society/cult within their ranks. As I noted before here, the Process frequently sought alliances with motorcycle clubs during the late 1960s/early 1970s, as did the Manson Family.

Pearlman described the Transmaniacon MC (from the song of the same name) and the Motif of the Rose (from "Before the Kiss, A Redcap") as being based upon French and Belgian fascist organizations (noted before here). While the Process are normally described as hippies, they had ample connections to the far right, as I noted before here, and eventually rebranded themselves as a Christian fundamentalist sect known as the Foundation Church of the Millennium by the mid-1970s.

It would appear then that the possibility that the Process inspired some of Pearlman's early lyrics exists. What's more, it seems all but certain that Pearlman would have been aware of the Process. As was noted before here, the Process frequented Herman Slater's Warlock Shoppe by the early 1970s and there are strong indications (noted in the prior installment) that Pearlman was a part of this scene. What's more, Pearlman was also friendly with Fugs singer Ed Sanders going back to his days at Stony Brook. As a reader kindly informed me, Pearlman was a big Fugs fan and had enlisted the band to play at Stony Brook in 1966 and again in 1967 with Country Joe and the Fish as well as Soft White Underbelly (the first incarnation of BOC) for the so-called "Pot Bust Benefit."

Ed Sanders circa 1968
Ed Sanders would of course go on to publish The Family in 1971. This was the first full length account of the Manson Family and the first time the Process Church was linked to them. In fact, this was the first time the American public at large had been exposed to the Process, though it proved to be quite brief. The Process successfully sued Sanders in the United States and a chapter concerning them was removed from subsequent additions of The Family. The offending addition remained in British editions of the book, however.

So while its rather circumstantial as to whether Pearlman encountered the Process directly at the Warlock Shoppe, it seems highly probable that he could have heard about them and some of the more incredible allegations surrounding them from his friend Ed Sanders. Certainly this seems more plausible than Pearlman "coincidentally" littering the Secret Treaties artwork with imagery closely resembling the fashion and deeds of the Process.



More Pearlman and the Process

If this was not enough, there is also compelling indications that there were more allusions to the Process with the cover of On Your Feet or On Your Knees, a live album that came out the year after Secret Treaties was released. This was the first BOC album to feature a cover in color, but it proved to be no less striking than those from the "Black and White" era. In this instance, a limo sporting a Templar-like flag with the BOC logo on it is shown parked in front of a curious church. A comment left on a previous post I had written about BOC indicated that this church had been used by the Process some time around the early 1970s.


I had been weary of this claim when I had first read it, but after researching the matter I believe that there may be merit to it. The church used on the On Your Feet... cover is St. Paul's Chapel, a part of St. John's Episcopal Parish in the South Salem era of New York state. In 1987 investigative reporter Maury Terry published a deeply flawed work called The Ultimate Evil. This book was based upon Terry's research into the Son of Sam killings and the possibility that some type of cult was behind them. While some of Terry's conclusions are suspect, his raw data is compelling.

Towards the end of The Ultimate Evil, Terry notes that a cult alleged to have been a Process splinter was reputed to have been using a church in the Salem area for black rites during the mid-1970s.
"Another abandoned church offered yet one more meeting site. This edifice was said to have been an 'eastern headquarters' for the group. The informants said it was privately owned (perhaps partially converted) and was located in the vicinity of the northeastern corner of Westchester County, somewhere near (and possibly over) the adjoining Putnam County and Connecticut borders. Vinny couldn't pinpoint the exact location but, quoting Berkowitz, he mentioned 'Salem' and 'Brewster.' 
"North and South Salem, with their historic witchcraft names, were in Westchester, and the village of Brewster lay a few miles north in Putnam County. The area was largely rural, with homes, estates and some farms and stables hidden from the few main roads by thickets of trees. It was a perfect cult site, and a difficult, extensive setting in which to try to locate the old church.
"Vinny said the church's interior (in 1976-77) was adorned with a silver pentagram on one wall; and silver-wire inlays, some in the form of the German SS lightning bolts --a symbol of the cult --appeared on the ends of some pews."
(The Ultimate Evil, Maury Terry, pg. 412)

Even more compelling are Terry's allegations that members of the Process were active in this area during the mid-1970s.
"And the Process itself was even located in that area. In the mid-seventies members of the cult occupied a house off Salem Road in Pound Ridge, a rural community several miles south of North Salem. It was as if the players and environment from the Los Angeles scene of 1968-69 had been magically transported to the specific area Berkowitz and the prison informants referred to."
(The Ultimate Evil, Maury Terry, pg. 419)
The On Your Feet or On Your Knees church is actually located in Lewisboro, near South Salem. And the above-mentioned rural village of Pound Ridge is located right next to Lewisboro, with less than five miles separating the two. In other words, this Process encampment couldn't have been located more than a few miles from the On Your Feet... church.



In Agents of Fortune, the only full length account of Blue Oyster Cult, Martin Popoff sites BOC drummer Albert Bouchard as crediting Pearlman with finding the church used on the cover of On Your Feet or On Your Knees. Thus, Pearlman selected a church located mere miles from a Process Church hub in area in which Maury Terry's informants alleged that a splinter of the cult was using a church for ritual purposes.

the church more recently
Dismissing this as a mere coincidence would be quite a stretch indeed, especially when taken in conjunction with ample Process allusions on the cover of Secret Treaties. But I digress.



Secret Treaties: A Side

With the cover art and my musings concerning the Process finished, let us now turn our attention to the actual music on Secret Treaties. Opener "A Career of Evil" was another BOC song with lyrics from punk poetess Patti Smith, who at the time was dating BOC keyboardist and sometimes guitarist Allen Lanier. Coming off like something of a demented Doors song, this track has at times be linked to the Imaginos cycle, but this seems to derive primarily from the sinister sentiments expressed throughout the track. It was released as the album's first single, but in edited form with the line "Do it to your daughter on a dirt road" being changed.


There is no question that the next track, "Subhuman," is a part of the Imaginos cycle. This another number with a clear Doors influence, this time something in vein of "Riders on the Storm" with a little Dust-style riffing to bring the metal. But it's ties to the Imaginos cycle ensure that its even more sinister and foreboding than anything Morrison and co ever released. In fact, this is the first time the Imaginos figure appears on a BOC song, though he is not mentioned by name in the track. Here are some more details:
"Track two 'Subhuman,' a tune that would be revived 14 years later on Imaginos as signature track 'Blue Oyster Cult,' rightly so as it seems to encapsulate Sandy's complex concept of the band, the character Imaginos, and the intertwining of the two. A type of literal translation of the band's name occurs, similar to graphic artist Greg Scott's approach to the Fire of Unknown Origins artwork, with talk of oyster boys, the sea and the 'blue sky bag.' Overtones of Lovecraft's Cthulhu or 'old ones' can also be spotted in terms of death-like creatures who inhabit the seas. In any event, the occurrences in this lyric seem to mark a traumatic, transformational moment for Imaginos, a character who could change form and traverse time...."
(Agents of Fortune, Martin Popoff, pg. 43)
Yes, this is possibly the song from which Blue Oyster Cult derived its name. In this track Imaginos, a sailor, is betrayed by his shipmates ("Left to die by two good friend") and abandoned as his ship puts to sea. As he lays dying near the sea some rather curious creatures appear to him (the "oyster boys") who offer to save his life if he'll join them. Imaginos accepts ("Just one deal is what we made") but is in for a surprise. Much more shall be said of this track and its themes when I address the even more esoteric "Blue Oyster Cult" that appears on Imaginos.

"Subhuman" is followed up by another track likely a part of, or closely related too, the Imaginos cycle called "Dominance and Submission." This song also features the curious character of Suzie, whom also appeared in "Before the Kiss, a Redcap" (noted before here) and several other BOC songs. This song revolves around the subversive power of rock 'n' roll and the sinister forces that sought to control it. I've already written an entire blog on this song before, which I found to be thematically closely related to Don McLean's classic "American Pie," and as such will not address this song here for the sake of brevity. But this is a very deep track and the reader is encouraged to take in the prior article.


Side A closes out with the Nazi-revering "ME 262." This song revolves around the Messerschmitt Me 262, the world's first operational jet-powered fighter aircraft. The ME 262 was to be a kind of super weapon for the Nazis in the closing days of the war, but it was not used to its full potential. The gleeful boogie classic name checks Hitler and Goring and tells of an air battle from Germany's perspective. The main character in the song is a Captain Von Ondine. This is interesting as "Ondine" is close to "undine," a kind of water elemental being similar to a mermaid. As was noted in part three, an undine was also mentioned on "Workshop of Telescopes" off of the self-titled debut.

This track helped further contribute to the group flirtation with Nazism. As was noted in the first installment, despite several Jews being involved with the band and in their orbit (including Pearlman), the group had subtly embraced Nazi imagery from the early 1970s. Pearlman was very much the architect of this and only added fuel to the fire when "ME 262"  was released as a single. Controversy ensued and the band retreated form this imagery as Pearlman's influenced waned. But back to the matter at hand.



Secret Treaties: Side B

Side B begins with "Cagey Cretins," the first of two Richard Meltzer lyrical contributions to Secret Treaties. As was noted in part one, Meltzer was had worked with Pearlman as a rock critic for Crawdaddy in the mid-1960s. He played a key role in the early years of the band and would contribute lyrics to the group for years.

"Cagey Cretins" is probably the closet thing Treaties has to a throwaway track. The lyrics effectively revolve around Meltzer's boredom from his time spent staying at his girlfriend's house in Shirley, New York, in the middle of Long Island. The demented Doors nature of the song and some amusing lyrics ("Being chased around by the neighbor's cat/ Well it's so lonely in the state of Maine!") somewhat redeem the song and the general strangeness of the track is in keeping with the rest of the album.

Next up is Meltzer's second composition, and a much better one, known as "Harvester of Eyes." This song was apparently inspired by a confirmation hearing for LBJ crony Abe Fortas to the Supreme Court that Meltzer watched. At one point during the hearing the medical condition ocular tuberculosis (tuberculosis of the eye) was mentioned and this served as the inspiration for "Harvester." What emerges is effectively a narrative that the great Julian Cope believed could describe Death (who appeared on the Secret Treaties album cover) as a strung out junkie:
"... On a higher plain of existence, however, is the superbly titled 'Harvester of Eyes', Meltzer’s massive ode to the Grim Reaper as a hopeless drug addict. Suffused with imagery that appears to be an Odinist take on Alice’s epic 'Halo of Flies', this tight-assed caffeine blues straddles that bizarre mid-70s hinterland between Joe Walsh’s delightfully clodhopping 'Rocky Mountain Way' and the post-Todd meltdown of The Tubes’ 'White Punks On Dope'. It’s one of Eric Bloom’s finest vocal performances and one which he obviously relished, recounting how the Reaper - so ‘high on eyes’ - needs ‘all the peepers’ he can harvest not only as evidence that the donor of those eyes is truly dead, but also to satisfy his hopeless druglust or ‘ocular TB’ as Meltzer terms it. Nailed it this time, motherfucker!"

While this song was never intended to be a part of the Imaginos cycle, it has been linked to it over the years. It is easy to see why as Meltzer's depiction of a sinister entity is in keeping with the wonders of the invisible world that appear throughout Imaginos.

Pearlman returns to the fold with the next track, the Cult classic "Flaming Telepaths." Drummer Albert Bouchard contributed some of the lyrics to this track, but it is clearly Pearlman's vision. Of it, he noted:
" 'On the new album there's the song called "Flaming Telepaths",' explained Sandy, in conversation with NME's Don Nooger circa spring of '74, 'which deals with the same sort of theme (as "Cities on Flame") but in a scientific way. It's about an attempt to create a mutation, to mutate consciousness. The first lines are, "I will have opened my veins too many times, poison's in my mind, poison's in my bloodstream, poison's in my pride," and that's they key line, "poison's in my pride." It's about this scientist who attempts to mutate consciousness and he just can't do it; he's failed too many times. But the scientist has this poisonous pride and he's got to keep on trying, beating his head against this barrier. And just because he's doing it, that's good enough. It's a very, very noble song...' "
(Agents of Fortune, Martin Popoff, pgs. 47-48)
What's most curious about this song as how it alludes to the militarization of psi that was this currently being undertaken by the deep state. Stanford Research Institute's famed remote viewing experiments, funded by the CIA and military, had just kicked off in 1972. By 1978 Project Grill Flame, the military's first formal effort to weaponize psi, was launched and would remain active for almost 20 years despite persistent claims that the research was baseless.


Was Pearlman telling tales out of school, as Chris Knowles is fond of saying? Certainly the scientist described in "Flaming Telepaths" could be an effective stand in for Andrija Puharich. Puharich, a man with ample interest in esoterica. played a major role in the first psi experiments undertaken by the deep state in the 1950s (as noted before here). His Uri was released in 1974 superficially to legitimize the psi phenomenon to the general public (though as noted above, it is mostly remembered in this day and age for revealing The Nine) and in the years leading up to this he had become something of a minor celebrity in certain sectors of the counterculture. Given Pearlman's fascination with science, mysticism and their merger, Puharich have likely interested Memphis Sam greatly. I have no evidence of any formal contact between the two men, but certainly "Flaming Telepaths" is an apt account of Puharich's work with the deep state. But moving along.

Puharich
"Flaming Telepaths" bleeds directly into closer "Astronomy," possibly the greatest song that band ever came up with. A long time fan favorite, "Astronomy" was a key piece of the Imaginos cycle and a new version of the song appeared on the 1988 Imaginos album. But nothing can top the original 1974 version, which was co-written by the Bouchard brothers (drummer Albert and bassist Joe) using lyrics (that were slightly rearranged) from Pearlman.

"Astronomy" is another track featuring the character of Suzie, along with Imaginos. The meaning to this track is rather obscure, but a key clue comes from the repeated references to the "four winds." The four winds are of course rich with symbolism.
"On the other hand wind is synonymous with breath and consequently with the Spirit, a heaven-sent spiritual influx. This why both the Book Psalms and the Koran equate winds with angels as God's messengers. Wind even gives its name to the Holy Spirit. The Spirit of God moving across the face of the primordial waters is called Ruah, 'Wind', and it was a wind which brought the Apostles the tongues of fire of the Holy Spirit. In Hindu symbolism, the wind, personified as the god (Vayu) is cosmic breath and the Word. It rules the 'subtle' world which lies between Heaven and Earth, the space which was filled by what the Chinese termed a breath, k'i. Vayu imbues, shatters and cleanses, and is related to the points of the compass, which were generally speaking termed 'winds.' Hence Classical antiquity talked of the four winds and the Athenians built the eight-sided Tower of the Winds.
"The Four Winds, furthermore, were related to the seasons, the elements and the 'humours' in a pattern subject to slight variation..."
(Dictionary of Symbols, Jean Chevalier & Alain Gheerbrant, pgs. 1110-1111)
Native American symbolism for the four winds seems especially relevant in this case as indigenous mysticism seems to have heavily influenced the Imaginos cycle, as shall be explored in the next installment. For our purposes here, it is interesting to note that Native Americans frequently associated the four winds with square, and frequently used this design in their sacred places.
"Links across time in the symbolic meanings of the square are also found on a smaller scale. For example, shell gorgets recovered from Mississippian sites are found to have cross as well as bent-arm cross designs carved into their surfaces. According to historic Indian accounts... these designs were meant to symbolize the four cardinal directions, the four world quarters, and the four winds...
"Mississippian designs like the Spiro gorget look very similar to some of the designs found in earlier Hopewell contexts, especially those which incorporate cross and bent-arm cross features... Moreover, a clear geometric relationship can be demonstrated between the cross, the square, and the bent-arm cross... Given this relationship, as well as the close proximity in both time and space between the Hopewell and Mississippian cultures --including the southern Ohio-based, Mississippian-influenced Fort Ancient peoples --my thought is that the symbolic meanings of the cross, the square, and the bent-arm cross were the same for historic Indians of the Southeast, the prehistoric Mississippians, and the Hopewell: namely, symbols of the sky, the world quarters, the four cardinal directions, and the four winds.
"To summarize this section in another way, we know from ethnographic accounts that many historic southeastern Indian people laid out their ceremonial grounds in the shape of a square and that these square grounds were thought of as symbolic microcosms of the universe. Moreover, these square ceremonial grounds were oriented to sky phenomena, including cardinal directions."
(Mysteries of the Hopewell, William F. Romain, pgs. 176-180)
a depiction of the four winds in the Seven Nation's symbolism
The four winds then are closely associated with both the sky and the heavens. In the case of "Astronomy," both are rather fitting. I digressed above on Native American sacred space oriented towards this "sky phenomenon" to help explain the reference to the "four winds bar." This reference appears in the second. third and fourth verses of the song:

Come Susy dear, let's take a walk
Just out there upon the beach
I know you'll soon be married
And you want to know where the winds come from
Well its never said at all
On the map that Carrie reads
Behind the clock back there you know
At the four winds bar

Four winds at the four winds bar
Two doors locked and the windows barred
One door let to take you in
The other one just mirrors it
Hey, hey, yeah! Hey, hey
In hellish glare and inference
The other one's a duplicate
The queenly flux, the eternal light
Or the light that never warms
Yes the light, that never, never warms
Yes the light, that never, never warms
Never warms, never warms

The clock strikes twelve and moon drops burst
Out at you from their hiding place
Miss Carrie nurse and Susie dear
Would find themselves at the four winds bar
It's the nexus of the crisis
The origin of storms
Just the place to hopelessly
Encounter time and then came me

As noted above, the Joe Bouchard some what altered the original Pearlman poem. The opening verse, which is a variation on the fourth ("The clock strikes twelve...") originally was the third verse and thus would have come after the "never warms" bit. Thus, Susie and "Carrie nurse" would have been the focus at the onset of the song.

Some fans have interpreted this song to be about Susie having a lesbian experience, presumably with Carrie. There may be some merit to this. I believe the "four winds bar" designates some kind of sacred space where Susie ventures to for a certain kind of marriage --a sacred marriage. Carrie is there to initiate Susie. In the process two gateways are opened ("Two doors locked and windows barred/One door let to take you in//The other one just mirrors it"). One of these gateways is a kind of shadow world ("In hellish glare and inference/The other one's a duplicate") from which entities emerge ("The clock strikes twelve and moon drops burst/Out at you from their hiding place"). But it is one particular being that most interests us and who is mentioned in the final verse:

Call me Desdenova, eternal light
These gravely digs of mine
Will surely prove a sight
And don't forget my dog, fixed and consequent


This marks the first time Imaginos (who was given the name Desdenova by the Blue Oyster Cult) is directly mentioned in a BOC song. I believe the preceding verses dealt with the efforts of two women, Carrie nurse and Susie dear, to summon Desdenova in some type of ritual, potentially tantric in nature. And indeed they succeeded, enabling him to enter their world.

The final line of this verse ("And don't forget my dog...") is interesting as well. Some fans have interpreted it to be a reference to the Dog star Sirius. In ancient times it was often used for navigational purposes because it appeared to be at the same point in the sky ("fixed and consequent) and the Imaginos/Desdenova character worked as a sailor for a time. As noted above and shall be addressed in much greater detail in the next installment, he was also said to have originated from another planet. And indeed there are theories that extraterrestrial intellgiences originating from Sirius visited the Earth in ancient times. 

The basis of many of these theories originate with Robert Temple's The Sirius Mystery. A Fellow of the Royal Astronomical Society, Temple's presents a compelling account of the detailed knowledge of Sirius that the Dogon tribe of Africa has possessed for hundreds of years despite science only being able to confirm much of this information in the last century. The Dogon claimed that their knowledge of Sirius was brought to them from beings from or near this star centuries ago.


Temple believed that other traditions also possessed accounts of these beings from Sirius and that it had been closely guarded by various secret orders for centuries:
"Temple believes the Contact (which he tends to portray as physical, involving actual space-ships) occurred in Sumeria around 4500 B.C. The knowledge thus gained, he argues (and this is the major theme of his book), was passed on via various secret societies of initiates in the Near East, Egypt, Greece and so on, at least until the time of the 5th century (A.D.) neo-Platonist Proclus. Thereafter, Temple loses track of it, and suggests that it petered out, although he mentions that offshoots of it appeared in 'such bizarre and fascinating figures as Giordano Bruno, Marsilio Ficino, John Dee and even Sir Philip Sidney and the Earl of Leicester --not to mention the troubadors of Provence, Dante in Italy, and the massacred tens of thousands of Albigensians in France, the Knights Templar and an infinite range of hopeless causes over two and a half millennia....' "
(Cosmic Trigger Volume I, Robert Anton Wilson, pg.s. 186-187)
Clearly Temple's premise bears more than a passing resemblance to Pearlman's Imaginos cycle. But even more curious is the fact that The Sirius Mystery was not published until 1976, a good two years after Secret Treaties had been released. And if "Astronomy" had been a part of the original Soft Doctrines... poems, then Pearlman may have come up with this concept nearly a decade before Temple's work was published. Was this merely a coincidence, or was someone (or something...) feeding Pealrman this information?

the Dog star
On the topic of telling tales out of school, it's also interesting to note that parallels to Secret Treatie's final two tracks and the above-mentioned sage of Andrija Puharich and The Nine. "Flaming Telepaths" mirrored Puharich's involvement with the deep state to weaponize psi while "Astronomy" deals with the contacting of nonhuman, allegedly extraterrestrial intellgiences through occult means. In "Astronomy" this is accomplished through some type of ritual, while Puharich relied upon hypnotism and mediumship.

It is curious how these two tracks run into one another, with "... Telepaths" being literally cut off in the middle of its "And the joke's on you" refrain to make room for "Astronomy"'s opening keys. Clearly these two tracks are linked and the strange saga of The Nine makes for one of them sot compelling connections this researcher has uncovered. More information on this strange tale can be found here and here.


Before wrapping up, I would like to return again to the fictitious quote concerning the equally fictitious Origins of a World War on the album's inner sleeve: "Rossignol's curious, albeit simply titled book, the Origins of a World War, spoke in terms of secret treaties, drawn up between the Ambassadors from Plutonia and Desdinova the foreign minister. These treaties founded a secret science from the stars. Astronomy. The career of evil."

Taken in the context of what we've explored in this installment, it seems clear this quote is indicating that Secret Treaties is a kind of concept album. It references both the opening and closing tracks while indicating the "secret science" of astronomy has a rather sinister purpose (a career of evil). The opener "Career of Evil" seems to outline vaguely this sinister purpose while track two, "Subhuman," presents the listener with Imaginos/Desdinova's human death and his realization that he is from the stars. The album then ends with the summoning of this reborn, incorporeal version of Imaginos ("Call me Desdinova, eternal light").

In between the listener is presented with accounts of the subversion of popular culture and mass movements ("Dominance and Submission"), re-emerging Nazism ("ME 262") and the weaponization of consciousness itself ("Flaming Telepaths"). The cover art, with its thinly veiled allusions to the Process Church of the Final Judgment, points to the sinister secret societies addressed in prior albums (noted here). I suspect this is the meaning of the "These gravely digs of mine/Will surely prove a sight" bit in the final verse.

On the whole Secret Treaties presents a chilling picture, one of which with much basis in reality circa 1974. Certainly the whole album has the air of Pearlman telling tales out of school. As such, it should come as little surprise that this marked the last time Pearlman would have creative control of a BOC album until 1988's Imaginos, when BOC was beyond irrelevant. The band opted to go in a more commercial direction for which they were critically acclaimed for while Pearlman was largely kicked the curb (at least until their former patrons began to turning on them towards then end of the 1970s). More on this in the next installment as well as Imaginos itself. Stay tuned dear reader.